Sam Hu is the human face of EVA’s streamlining plan; he delivers severance packages but tomorrow he will be promoted.

A chance encounter with an incompatible woman sends Sam spiraling; ultimately questioning whether sometimes it is best to take the scenic route.

Sam Hu’s Last Day, boasting a stellar comedic leading turn from James Kyson, deals with themes of automation, AI intelligence and human loneliness but maintains it’s playful, comedic, insistently romantic tone.

Love finds a way.

Anthony hides untaken medication where he knows his mother will find them and tells his father he is going to see an old friend whom he knows his father doesn’t believe is even real. He tells his mother an opposing story about this old friend being angry and how he used to date the missing girl.

And then Anthony plants the missing poster.

Anthony allows his family first on him, and ultimately on themselves.

A claustrophobic story caught in the cracks of stubborn people who finally crumble. A father, who has blamed his diagnosed son for too long, is brought to familial justice.

Upstairs, he pushes the pill out of his mouth, reaches for a dog collar and trots downstairs straight into his shockingly vital wife.

They blame faulty pills but have freedom tasted - The other must be gone. What follows is a cornucopia of traps and tricks involving tweaked stairlifts, walkers and floorboards.

In the excitement of near death scrapes and through a renewed vitality comes a remembrance of love.

Alas it’s too late for these pill crossed lovers, each try to save the other, switching traps and finally finding death.

Then doorbell rings, a gorgeous young woman barks.

Her top lip is covered in a delicate scab. He reassures her that they are in this dreadful situation together. . She kisses him softly.

Her lip is split open and she clutches a makeshift knife behind her back. He unwittingly foils her knife attack and she kisses him.

Her lip is a pulpy mess. He tends her wounds.

She has a sack over her head, gasping for air. He stands over her, and promises an aggressive third presence that he will kill her. Instead, he knocks her out and fires two shots into the ground.

His mother discovers hidden pills and confronts Mason, who runs away. He seeks solace in the minutia of the labels on soft drinks but he senses are in overdrive. He sees an unpreventable tragic fate; blood, bathtub. He recoils in horror.

In a dark silent park, Mason senses his brother’s energy suddenly draining away. Mason bolts through the night streets.

Mason dials an ambulance as he runs down dark alleyways, where he sees his brother and then two hooded attackers with knives.

Mason cries out. His alerted brother fights back but is stabbed multiple times before the attackers flee. Mason holds his bleeding brother, as the ambulance arrives.